Photographs can be powerful tools for inspiration. For many years, I carried a camera around with me whenever I went somewhere new or even well known so that I could take pictures to go along with my writing. Initially, it was on hiking or camping trips to find hidden locations that would fit into the setting of Kingdom Burning. They were never great pictures, not even something to hang on the wall, but they gave me tactile imagery to help build the fantasy world around my characters. Montana is a great place for mystical forests.
Nearing high school graduation, I decided to go to college for photography rather than English. The decision still baffles me a little bit, as at that point photography was a fairly new passion where I had been writing since I was a kid. I think the decision came from teenage close-mindedness and the absolute loathing at the time of literary and poetry analysis, which when going over course options was a large part of an English degree. And, I didn’t want to be a teacher, which was the most prominent thing to do with an English degree at the time. Point being, I went to college for photography – just a two year degree, but that was enough to help hone my skills. I have dabbled in portrait photography ever since, until last year when I started my own business. I also photograph coins for a living, a job I never would have looked into had it not been for my degree.
I shoot with a DSLR, which is a big clunky thing that is hard to carry around all the time for the chance of finding something interesting to photograph. But I ALWAYS have my phone on me. It has a decent camera and over the last few years I have collected over a thousand pictures, probably a third of which are of my cats. The rest, however, are of the things I see during the day as I walk around downtown, the things I find when I go on a road trip, the experiences that I am obsessed with documenting. When I photograph people, I am in control of the situation. I tell them where to stand, how to pose, where to look, whether or not to smile. It is a calculated process, aimed at giving a client the perfect image to remember that moment in their life. Children are a little less planned – I dare to to try and pose a two year old – but as I approach the subject there is still a goal in mind. I arrive at a location knowing what types of photographs I am going to be taking.
The images that I take on my phone are the complete opposite. I am in a constant mode of observation, even when I am walking the same three blocks back to my car after work. I look to the windows of the buildings around me, I watch the cracks on the sidewalk, I make a point of noticing things. There is always something seemingly insignificant that can catch my eye. I consider these moments found images. There is no posing involved, no placing of an object to get the right perspective. I move around the subject, chose my angle, frame the image to give it my perspective.
A while back I asked myself, what am I doing with all of these pictures? Even as I sorted through them and delete the pointless or repetitive ones, there are others that I just can’t get rid of. They speak to me, they are each a moment that has been frozen in time. I realized they are another outlet for the creative nature of my imagination. Without even realizing it, I began creating my own form of visual art. And I am in love with it. I can’t wait for the next moment that will catch my eye. I can’t wait to take that image and turn it into something more.
That moment when the sun sets and road seems endless and free:
The moment when the light from the window highlights peace and affection:
The moment of infinity on the ocean shore:
Beauty surrounds us, and just as the characters in my imagination walk beside me every day, these beats of time inspire me to keep creating and living in the moment. It keeps my heart content.